Greetings on the Christmas Eve from Portland, OR. Hope everyone is having a nice break. Wherever you are, the weather you're getting must be better than here. It's cold and it's raining and a hard-driving northern wind is moaning and rattling the windows like we are being attacked by a gang of feeble zombies.
A positive development is that I have discovered a untapped desire to cook. The past few days my family has had the dubious pleasure of eating every meal cooked by me. The experience has proven to be so shocking that afterwards they walk around in a daze. Mother has been extremely encouraging, lavishing outlandish praise to my dishes, while Father has remained as neutral as Switzerland, offering mostly monosyllabic grunts that are up for interpretation. A big thanks to Dave for the great cook book he has given me.
I saw Lord of the Ring 3 as well, had a very good time. But in the end, I was beginning to suffer from epic-fatigue. Everything in this series is so . . . . majestic. When characters travel, they must take the most scenic route, always accompnaied by full-hearted swells of orchestra. When characters speak, it is always with a unrelenting portentousness as if behind their every syllable the fate of Middle Earth hangs in balance.("Pass me the salt, or else Rohan is doomed!") Every blade of grass in this movie is ever so conscious of being in a Very Important Movie, that you can tell they are hamming it up! I guess all of these goes with the territory of epic fantasy.
btw, current issue of New Yorker has a very interesting article about the influences of Wagner's Ring Cycle opera on the Lord of Ring. Verdict: despite Tolkein's protest to the contrary, it appears the Ring Cycle is a major inspiration for Lord of Ring.
